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NaNoWriMo begins!

So here’s my obligatory introductory snippet of novel.  It’s going to be a fantasy called Silverwings, a bit low-magic with some thought behind it.  I may make it YA friendly.

***

Verity looked up, starting to shade her eyes before she realized that was silly. Whatever the thing was above her, it sounded like a huge version of Squawk, the raven.  Like wings, only impossibly large. She startled, realizing what that could mean, and slipped into the trees. She didn’t think it could be a dragon – they weren’t common here, and this wasn’t a known hunting ground. Still, if it was a dragon, she wanted to be able to get away. Maybe if it was a big one it wouldn’t be able to get through the trees very well.

Once deep into the bushes surrounding the Berrywood, Verity looked back for a moment. A whinny, high and frightened, met her ears. Is it a giant bird, perhaps, with a poor horse in its talons? she wondered to herself, panic rising. If it is, I have to find some way to help it… Maybe if I cast a light spell on it’s eyes… Half formed visions of giant horse-eating owls dissipated when she saw what was heading toward the clearing.

There was, indeed, a horse. A fine looking horse, colored silver-white, with an arching neck, a noble looking face with a delicate muzzle, flowing mane and tail, and long, slender looking legs that were caked with mud. It was descending, carried on a pair of huge white wings that looked like they belonged to the biggest hawk who ever lived. The horse whinnied shrilly and landed in the clearing. Still amazed, Verity noted that she was a mare.

There, she looked about her, nostrils flared, her neck and sides lathered. She rustled and folded her wings to her sides, blowing and puffing. Her tail swished in agitation and her ears were swiveling in all directions. There were the unmistakable signs of rope burns about the curving neck and graceful legs.

Verity paused a moment, stunned by the sight. This was the most beautiful creature she’d ever seen. She had the finest attributes of horse and bird, but she was also obviously afraid and in need of a friend. What should I do? Verity wondered. Did she run away from somewhere? And why? Then she saw the lash-marks on the mare’s back and flanks, deeper than the rope burns. Looking more closely, she also saw a fine silvery chain looped around her neck and shoulders, like a harness. Something glinted on it, half buried in the short fur of her muscular chest. It looked like a small stone, also set in silver. The mare didn’t wheel around to kick or run, but just stood here, still blowing, her head held low. She looked exhausted.

Emboldened and driven by compassion, Verity made a soft noise. She imitated a horse’s nicker. Here I am, she said wordlessly. Here I am. I’m not here to hurt you. Then, to show what she was, she called out quietly

“Easy there, pretty one. Easy, now. I’m coming out.”.

Heedless of the leaves sticking in her hair and clothes, Verity came out – slowly, carefully, and not meeting the mare’s eyes, but instead sharing a common direction with her. She nickered again.

The mare stayed still for a moment, then stretched her neck as far as it would go, sniffing Verity, then blowing warm breath at her. Her ears had stopped swiveling but her tail was still lashing her hocks.

Verity stepped sideways, just a bit, and let herself be sniffed. She blew a little breath back so the mare could get an idea about her. Thinking quickly, she grabbed a branch of berries and carefully extended them to the mare.

The Deadly Deadline

Sometimes you have to really bludgeon your brain to finish a job before it’s due.

It can be really daunting.  That deadline’s coming up, whether it’s a project you have to finish for yourself, art or writing you need to complete for somebody else, or just that baffling one word prompt you want to write about before you have to leave for work.

Mix that with writer’s block and you have one frustrating situation!

Don’t take a sledgehammer to your head though, just get around the writer’s block if you can’t get through it.  Think about something parallel to the subject.  Think around the subject, for want of a better phrase.  Start writing about something else, even if it’s totally random.  If you’re an artist looking for ideas, start looking at the world in some way you’ve never looked at it before.  Doodle.  Go get a cup of something hot and caffeinated, but only one, and try again.

The point is, so many times I’ve had terrible creative block that just blew away like a summer breeze when I started creating.  Even if it was something completely other than my main project, it was like my mental machinery warmed up and started creating ideas again.

You can do that too.  No bludgeoning required.

 

 

via Daily Prompt: Bludgeon

https://dailypost.wordpress.com/prompts/bludgeon/

The Giant Prickly Pear Cactus Tree

Cacti grow large here in Arizona.  However, usually they don’t grow beyond a certain level – the size seen up in the featured image, in fact.  I normally don’t see them grow more than four or feet tall at most, usually less.

That was, until I saw this old girl.

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There she is, roughly eight to ten feet tall, and so big and old that she’s actually developed bark on her trunk.  Now THAT’S a cactus.  Here’s another view from the same walk.

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It’s a little hard to tell scale because of the angle, but she’s big.  Dare I say…

 

…a Giant?

 

via Daily Prompt: Giant

https://dailypost.wordpress.com/prompts/giant/

 

More Treats for my Readers!

Tonight, I give you one of the creepiest ways to enjoy a story – by sound.  I found a page with some wonderful, creepy old radio dramas.  Listen to them with the lights out – if you dare.

https://nitratediva.wordpress.com/2015/10/01/31-scary-old-time-radio-episodes-halloween/

https://nitratediva.wordpress.com/2016/10/01/fear-you-can-hear-more-scary-radio/

 

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The Bridge between This World and Another

Bridges have the capacity to delight and also terrify me.

On one hand, from a bridge you have an amazing view of whatever it crosses, and it’s a lot of fun to look down at water.  On the other hand, a bridge also has the capacity to cross heart-stopping chasm, and that can be terrifying for someone like me who doesn’t like heights.

In the painting above, there’s a small bridge leading to a tiny island where the Torii stands.  Since the Torii is the gateway between the normal world and the sacred, the bridge is the path to that possibility.  Then, when you look out into the fog – who knows what odd things you might find out there?

If you’re a writer, bridges make great metaphors.  They are also natural choke points so you can use them to force characters to have to meet something.  They can bring up all kinds of feelings, especially if that bridge happens to be a high railroad trestle with all the world visible between your feet!


Speaking of bridges, portals and gateways, I just finished a short story of about 10,000 words called Gateway Drug.  Check it out on my Books Page!

 

via Daily Prompt: Bridge

https://dailypost.wordpress.com/prompts/bridge/

Giveaways, A Sale, And A New Book! — Allison Maruska

Before I dive in, I want to welcome all the new followers to the blog! The increase in followers over the past month especially has been impressive, and I am humbled and grateful that you all like my words enough to follow. So, hi, everyone! *waves* Now, let’s get down to business. The Giveaways There […]

via Giveaways, A Sale, And A New Book! — Allison Maruska

The Transmogrification Begins

 

A perfectly ordinary housecat as she dreams of being a unicorn.

Slowly the ear begins to center itself on her head, ready to turn into a horn.

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What next?  I think she’s going to meditate on being a samurai.

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Now she’s dreaming of being a writer – I think she’s going to write her adventures down!

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via Photo Challenge: Transmogrify

https://wordpress.com/read/feeds/27030/posts/1203750290

Inktober Day 27: Quoth The Raven –

Nevermore!

Today I’ll post a copy of Edgar Allen Poe’s famous poem, in honor of my Mom, who is named…

…Lenore.

 

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
    While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
            Only this and nothing more.”
    Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
    Eagerly I wished the morrow;—vainly I had sought to borrow
    From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
            Nameless here for evermore.
    And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
    So that now, to still the beating of my heart, I stood repeating
    “’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
            This it is and nothing more.”
    Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
    But the fact is I was napping, and so gently you came rapping,
    And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door;—
            Darkness there and nothing more.
    Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
    But the silence was unbroken, and the stillness gave no token,
    And the only word there spoken was the whispered word, “Lenore?”
This I whispered, and an echo murmured back the word, “Lenore!”—
            Merely this and nothing more.
    Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
    “Surely,” said I, “surely that is something at my window lattice;
      Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
            ’Tis the wind and nothing more!”
    Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
    Not the least obeisance made he; not a minute stopped or stayed he;
    But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
            Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
            Quoth the Raven “Nevermore.”
    Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
    For we cannot help agreeing that no living human being
    Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
            With such name as “Nevermore.”
    But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
    Nothing farther then he uttered—not a feather then he fluttered—
    Till I scarcely more than muttered “Other friends have flown before—
On the morrow he will leave me, as my Hopes have flown before.”
            Then the bird said “Nevermore.”
    Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store
    Caught from some unhappy master whom unmerciful Disaster
    Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
            Of ‘Never—nevermore’.”
    But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
    Then, upon the velvet sinking, I betook myself to linking
    Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
            Meant in croaking “Nevermore.”
    This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
    This and more I sat divining, with my head at ease reclining
    On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet-violet lining with the lamp-light gloating o’er,
She shall press, ah, nevermore!
    Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
    “Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
    Respite—respite and nepenthe from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
            Quoth the Raven “Nevermore.”
    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
    Desolate yet all undaunted, on this desert land enchanted—
    On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
            Quoth the Raven “Nevermore.”
    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
    Tell this soul with sorrow laden if, within the distant Aidenn,
    It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
            Quoth the Raven “Nevermore.”
    “Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
    Leave no black plume as a token of that lie thy soul hath spoken!
    Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
            Quoth the Raven “Nevermore.”
    And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
    And his eyes have all the seeming of a demon’s that is dreaming,
    And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
            Shall be lifted—nevermore!

-Edgar Allen Poe

 

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