Artist tip – cleaning up your artwork

Though many like the “sketchy” style of artwork, be it a pencil drawing, charcoal work, or watercolor, one simple step you can take to pull ahead of the artist pack is to clean up your art work.

Messy lines (extra sketch lines, ink that doesn’t follow the color in a painting, splotches and smudges) can detract from an otherwise beautiful piece.  Luckily, a little care is all that’s required to turn an artwork from good to great.

It’s good to know your erasers so you can clean things up appropriately.  Most artists know about the venerable kneaded eraser, which is great for cleaning up rough textured paper.  If you are working on smooth paper, though, certain old fashioned drafting tools may work better.  You can use a white vinyl eraser, the kind with the cardboard sleeve (like the one you see above), for many applications.  It’s nice because it’s also gentle on paper but does a very good job cleaning up pencil marks.  As a bonus, the cardboard sleeve gives you a good grip and keeps your gingers clean!

Another secret weapon for cleaning up your sketches is an eraser shield.  They are small, cheap, made of metal, and perfect for taking a bit of a line while protecting the rest of the work.  They look like this:

index As you can see, you can use this to cover your art and then just erase a bit at a time.  Many artists and people who haven’t taken an old fashioned drafting class have never heard of them, especially in this day of Computer Aided Drafting.  I love mine.

 

Last but not least, a really good sketching tool is just a good, old fashioned mechanical pencil.  I really enjoy using one because I never have to sharpen it, I can use a variety of leads, and if I use a light touch with it, the lines are extremely easy to clean up.  It’s perfect for a sketch that I plan to ink later.  Then when I am done, I can make a nice, clean image.   I can go from this sketch to this drawing with very little trouble.

Elephant Sketch 700

Elephant Cow 900

 

 

 

 

 

 

 

 

 

 

As a last tip for people wanting to avoid messy looking artwork, I do suggest getting to know your graphics programs.  When you scan something in to the computer or photograph it, turning up the contrast even just a bit can help your black and white drawings look that much sharper and clearer.  It takes a bit of practice but is well worth the effort.

As a confession, I used to make the hairiest, sketchiest drawings ever and consider them finished work.  I don’t do that anymore.  I still sketch things out on occasion but I use those sketches as ways to develop ideas instead of thinking they are done.  Now, my erasers and mechanical pencil are my best friends.

Happy creating!

via Daily Prompt: Messy

Choosing Colors

 

While this is considered an absolute rule by many artists, especially painters, I consider it more a helpful hint and something to try.

The idea is to use a limited palette of colors to create a unified look. Pick three colors that represent the majority of items in your work, plus black and white, and only use those three colors (and the colors that can be mixed from them) to do the whole piece.

It’s easier than it sounds. For example, a forest painting might be done entirely with a yellow, a deep green, and an umber. Or a seascape might be a deep blue, a deep green, and a purple. In watercolors, usually this means picking three tubes of pigment and just using those. This really does help avoid the problem of the painting looking too busy or garish.  I’m sure we’ve all seen a painting that just uses two many colors!

I’ve been told by an old watercolor painter that this is an absolute rule except in the case of city scenes, but I am not willing to be quite that rigid about it.  Still, choosing two to three colors and using them and their mixtures can make a really nice, unified looking piece.

Interesting Angles

 

It’s a simple idea, yet powerful.

If you are drawing, photographing or painting a particular subject, consider a different angle other than a simple straight on view. For a portrait, try it from one side or the other, tilt the head slightly, etc. When depicting a scene, consider a low angle, or maybe even an overhead angle. Think of ways to add interest. The more interesting a picture looks, the more likely it is to stand out in the crowd. Too many people pick a centered straight on view for a portrait rather than a three quarter view, that can look flat and uninteresting.

Different angles can also help convey mood and enhance your message.