I think the waning harvest moon is almost prettier than the full face. I took this with a Nikon Coolpix L830, and it’s not too bad for all of that. It was at maximum zoom, and my hands were braced on the top of my car. All thanks to my neighbor, who alerted me to the sight.
There, I said it, I admit it! I don’t buy my art supplies locally. I used to, though. I tried to buy locally, I loved the idea of supporting local businesses. I even thought about offering art classes, something I might still do someday.
Even though I love browsing through wonderfully musty smelling shelves full of materials that make my fingers fairly itch with the desire to try new things, I gave that up.
Why? Unfortunately, people’s attitudes were what caused the estrangement. I’d noticed some real snootiness when I’d gone to the better art stores, and the craft stores have gotten increasingly uncomfortable and gimmicky to be in. One major chain’s loss prevention tactics, where they make you walk through a maze to leave, are particularly annoying.
I also noticed how I was treated well, listened to, and mentored in art stores, while my dear partner was routinely snubbed and ignored. She didn’t look as “liberal” as I did. Also, a particular store manager at lied to me on a number of occasions.
“We had to get rid of that line of paint because Amazon is undercutting us.” Really? Then why does Amazon charge two dollars more?
“This brand of paint is better anyway.” Really? Then why does the coverage suck?
The “Chinese art teacher” who didn’t even know how to grind his own ink didn’t help.
Later, that store manager kicked me out of the store and never said why. I was baffled and hurt, and wondered where I would go for art supplies.
Ultimately I moved online. I started using Dick Blick Art Supplies, also known as Utrecht at some of their locations. They carry a huge variety of supplies, have great prices, support local artists, give people a chance to be seen in their art catalogs, have a great review community, and also have amazing customer service.
Considering that I’m still giving my money to a really good, domestic art store that is passionate about supporting artists, I’m proud to share my dollars with them. As a bonus, they give a referral commission to people who share their affiliate links. Like this one. Beat that, snooty Tucson art store!
I’m really happy Dick Blick is around. My search for quality art materials, responsibly bought, is over.
This is for all the lovely artists out there.
A few years ago, I realized that it was tremendously fun to work with chalk, Conte, colored pencils or white paint pens on a perfectly black background. I loved the dramatic look and enjoyed the fun of working entirely with highlights. However, I quickly grew tired of dealing with inadequately pigmented construction paper, and black gesso was expensive and messy. Black paint was inadequate. Black foamcore mattboard was nice but expensive and flimsy.
I craved something better!
After much searching I found a perfect solution online. That was ultra-black presentation board! Made for mounting photographs and other art, this stuff is ideal for painting or drawing on. It takes paint well and doesn’t fall apart, it’s reasonably stiff, it has enough texture to make using chalks and pencils a breeze. It’s light, and best of all, it doesn’t cost an arm and a leg! A five pack of the largest size is only around $20 and it comes in several sizes. Here’s one piece I created with this material.
I was ecstatic. I love creating with this material! It is easy to work with and looks great, and at the same time these boards are cheap enough, that I want to actually use it instead of “saving for the right piece” which may never come. Black presentation board is easy to frame, too, and easy to fit on an easel. Best of all, when I need more, I just go online and my favorite art store delivers more within a week, safely packed for me.
If anyone wants to try this amazing material, I found the best price at DickBlick.com. Funny name, amazing company. If you check them out, use this affiliate link and you won’t be sorry. They offer amazing deals and great customer service too. They also carry all my favorite supplies at prices below their competition.
And search for
Blick Presentation Boards
to find the best perfectly black background I’ve ever seen. While you’re there, you’ll see that they also carry Conte pencils, chalk pencils, Liquitex fine point paint pens, and about a half a million other things. Buy enough and they throw in free shipping.
This is the second version of a cover painting I did for a novel I wrote. I usually try to paint things that tell some kind of a story, but this was meant to be representational of some of the book content and hopefully somewhat intriguing to the casual viewer.
The novel was “The Dice of Fate,” a story about a young woman who was suddenly transported directly from her day job to a place that was like something from one of her roleplaying campaigns. Early in the story, a little white Kitsune with three tails comes and helps her, and the theme of dice features prominently in the story. Therefore, I chose to depict the kitsune, the ten sided die, and a hint of the long road she had to walk on foot to get to civilization.
I started (as usual) with the sky gradient. The better the sky gradient, the better the foundation of the work. Since this was acrylic, I could dispense any worry about the transparency of my layers. With the trees I worked from dark to light, always keeping in mind that most trees have gray bark, not brown. For highlighting, I used chalks and pencils in the final steps.
I was fairly pleased with the work. If anyone wants to see it on the cover, feel free to click through to the link – and if anyone wants to buy it, it’s free for Kindle subscribers. Just search the title “The Dice of Fate.”
I had this all done, then we noticed there was something that needed to be improved on the back cover. We got partially through improving it, then the graphics computer’s CPU died. Now the new CPU has been bought and installed and the back cover has been fixed. So everything is good to go!
This coloring book is all about dragons, 30 original illustrations, all full page. It’s great for anyone who likes to color. I donated the last copies of the ones with the improvement-needed back cover to flood relief in Texas, in hopes that some kids might at least have fun with them.
A brilliant branch
It roars, reaches,
and crashes again.
Pregnant clouds play catch
with balls of rolling thunder.
Rooster tails of water spray.
and water fills the air
till it can hold no more.
The blood-warm mist
and steam wraps my skin.
I drink the wine
of the new mown lawn,
taste the rich
For art to impress, it’s helpful if it readily catches the viewer’s eye.
If you have your work scanned in on the computer, looking at the file thumbnails is an excellent way of quickly seeing what an art viewer sees as they pass by.
A similar effect can be had by putting the painting or drawing across the room from you and glancing at it quickly. This is how you can truly tell if your work has good contrast and interesting composition.
What pops out at you? What is the first thing that you see? Is that the main focal point of your work, or can you think of ways to make the art more impactful?
There are times when you will want a strong background color but a lot of surface detail and highlighting at the same time. At these times, a background of marker with surface layers of colored pencil, chalk, or oil pastel for the highlights and surface detail can work quite well.
This portrait of a Blue Heeler pup was done with two main background colors – black and blue. Everything was built up on top of that. I made a mistake here which can be learned from, however. If at all possible, make your background marker color as smooth and even as you can. Fresh markers are important for this. I used Conte and normal chalk pencil for most of the detail here.
This mixed media technique also work with acrylic as a backdrop and chalks or pastels for the detail. If you do this, however, spray it gently with fixative when you are done.
This cover painting made heavy use of chalks in the wood grain and in the surface details and highlights of the piece. With the wood grain, I used the ridginess of the brush strokes to help form it.
On DeviantArt, I’m FirstPrimeOfCessna.
A fellow DeviantArt user was kind enough to put this compilation of my work together:
http://husark.deviantart.com/ – Thanks, Husark!
This Easter, I wanted to make a card for my Mom. She loves Beatrix Potter so I decided to at least approximate her art style. Trying to copy another artist’s style, especially one that is very different from your own, can actually teach you a lot about process and even improve your normal work.
I began by choosing an image and analyzing the materials.
In this case, the painting was made with watercolor and fine ink pen. The strokes were delicate and the effect pleasingly mottled.
I thought about using watercolor, but decided to use colored pencils instead so I could get a similar effect with less room for failure. I used a combination of a brush pen and a very fine manga pen to at least partially approximate the original work.
I looked at how the lines were laid down, the weights, the way the shading was done. I then decided which elements were important to keep and which weren’t. I tried to copy the shapes, the line style, in what I did.
I also decided I didn’t want to deal with a background. Even though I didn’t end up with a perfect copy, I still had fun – you may too if you try this. It’s a great way to explore new techniques and materials.